Jasmine

Radio 1: KISS FM Breakfast Show  Audience: 1) KISS FM's mission is to create an ideal destination with which their fans and listeners can connect. They want their fans to be able to discover beyond the mundane realities of other radio shows and create more for their audience. They also want to connect with the youth and teenagers so that they can keep up with the latest news and deliver it to their audiences. They want to form a personal relationship with their audience and make sure that they create up-to-date understandings of current events. 2) The target audience for KISS is people aged between fifteen and thirty-four, with sixty per cent of all listeners being female. The Mainstream psychographic fits their audience well as they constantly aim to deliver news based on what is trending and what is popular among youth. Furthermore, the Aspirer and the Succeeder may also fit this audience, as KISS is constantly aiming to work on their station and change things according to how th

Radio: Launch Of BBC Radio 1 CSP Historical, Social And Cultural Contexts 1) Before 1967, there were three other radio stations.  BBC Radio Home, which mostly broadcasted educational programmes and news, which was replaced by BBC Radio 4. Also, there was B BC Radio Light, which broadcasted mainly comedy, drama and music (replaced by BBC Radio 2) and B BC Third, which continued until 1970. 2) The BBC reprogrammed their shows in the summer of 1967.  Radio 1 offered continuous "popular" music and Radio 2 was for more ''easy listening''. T he third programme became Radio 3, which offered classical music and cultural programming. R adio 4 offered news and non-musical content such as quiz shows, readings, dramas and plays.  3) Pi rate radio stations could produce shows for young people, but were beyond the control of regulators. They played popular music and were managed by young men, who were more relatable to youth than other radio stations.  4) T he 1967 Marine

Television: Final Index 1)  Television: Introduction to TV drama  2) Doctor Who: Language and Representation   3) Doctor Who: Audience and Industries 4)   His Dark Materials: Language and Representation 5) His Dark Materials: Audience and Industries  6) Industry Contexts

Television: Industry Contexts — The BBC 1) Th e BBC's mission statement is to inform, educate and entertain. This means that it aims to provide information, support people and their learning, produce creative content, and uphold diversity and representation. 2) The BBC is funded by the government, meaning that it is paid for by the TV licence and is paid for by the people of Britain. The TV licence is currently £159 per year. Although other television companies rely on advertising, the TV licence is the only way that the BBC makes money, meaning it does not use advertising.  3) The BBC must provide balanced information, support the learning of people of all ages, produce creative output, have diverse content and reflect the United Kingdom, its culture and values to the world. 4) Regulation is the reviewing of a product to make sure that its content is not inappropriate or harmful. The BBC is regulated by OfCOM, which checks all television channels and produces a code of conduct tha

Television: His Dark Materials - Audience and Industry  Audience: 1) I think the target audience for His Dark Materials is mostly teenagers and young adults. I believe that it is not particularly young audiences such as children, due to some themes in the series being violent. The series was rated 14+ by HBO and 12 by the BBFC, which demonstrates that the target audience would be adolescents and older. The psychographic groups may be Explorers and Aspirers or Succeeders, as the series involves strong, determined characters; the audiences may be able to relate to or identify with them.  2)  Audience Pleasures:  Personal Identity: The show has a wide diverse cast and a large amount of characters, whose personalities are three-dimensional; the audience can identify with them. Furthermore, teenagers especially can identify with many of the characters as there is a wide representation of characters who frequently subvert and reinforce stereotypes. Personal Relationships: The narrative stret